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CAST
The Storyteller: Scott Williams
POSTER

PRODUCTION PHOTOGRAPHS


Click the images above to visit the gallery for this production.
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CREW
Director: John McSpadyen
Set and Costume Design: Barrie Addenbrooke
Lighting Design: Andrew Peregrine
Technical & Sound Design: Martin G Brady
Hair & Make up Design: London School of
Media Make Up
Co-Design (costume): Jackie Robinson
Wardrobe: Pauline Bennett
Tapestry: Tess Walsh
Graphic Design: Geoff Sloan
Production Photography: Lara Bruce, Elizabeth Goode
Lighting Operation: Elizabeth Goode, Chris Knight
PRODUCTION NOTES
Performed as a double bill with The Turn of the Screw, this production opened the Goths, Ghosts & Ghouls Season.
DIRECTOR'S NOTES
My inspiration for adapting The Judge’s House was, surprisingly, not Bram Stoker, but his fellow 19th Century writer Charles Dickens. I read that he toured incessantly, both here and abroad, performing specially-edited versions of his books such as A Christmas Carol. One man, telling a story, playing all the characters: what could be more dramatic?
That said, being both adaptor and director of tonight’s curtain raiser has proven a bigger challenge than simply working from an existing script. What to edit out? How to pace the action? How to move from the written to the spoken word? And the work didn’t end with my 'final' version. Once in rehearsal, there were some interesting moments as the two sides of my brain argued over some fine point of wording
or structure.
The Judge’s House is one of Stoker’s many spooky stories and I think one of his best, with all the classic ingredients for a good scare: an isolated house with an evil past, an innocent young hero, and lots and lots of rats! What more could you want? Enjoy the show - and don’t have nightmares…
John McSpadyen

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